A Letter From Michelle: The Bohemian Coats

A Letter From Michelle

A woman buys one winter coat, and then asks it to offend nobody for the next six years.

On the six things I looked for before these came into the shop, how they compare to the coat in your hall closet, and why every one of the twelve is $109.95 for our twentieth year.

Four bohemian art coats folded in a stack on a wooden table in morning light, hoods showing the navy sherpa lining, with a handwritten card from The Hayes Family resting on the top one.
Julie writes one of these for every order. She has better handwriting than I do.

I am Michelle, and my husband and I opened this boutique twenty years ago with one idea: that a woman should not have to choose between comfortable and beautiful.

A winter coat is not really a garment. It is a decision she makes once and then lives inside for years — over everything she owns, at every door, in every photograph anybody takes of her between November and March.

And because she is buying only one, and because that one has to go to the grocery store and to a funeral and to her granddaughter’s school, she does not choose the coat she likes. She chooses the coat least likely to be wrong. Which is how a woman ends up in black for six winters running and could not tell you when she decided that.

The two on offer never change either. There is the warm one, which is warm because there is simply a great deal of it, and by four in the afternoon she can feel every ounce of it on her shoulders. And there is the handsome one, cut beautifully and cut thin, so she puts a sweater under it and something at the neck and she is cold anyway.

I never accepted that a woman had to choose.

These are twelve coats built on one refusal. Every one of them is lined in brushed fleece — collar to hem, and down through both sleeves — so the warmth lives in the lining rather than in the bulk. There were six things I would not do without.


1

Each one is a picture, not a pattern

Close view of the Cassandra, triangles and squares in coral, teal, magenta and gold worked across a cream ground beside the dark fleece lining.
Close up, where the shapes meet.

This is the thing I was actually buying. Not a coat with some color on it — a coat with something on it worth looking at. One is a patchwork print in coral and teal. One is a tapestry-look print in marigold and burgundy. One is an enormous cat, painted, with gold eyes you can see from across a parking lot. They are not twelve colorways of the same idea, which is what a rail like this usually turns out to be. They are twelve different pictures, and a woman picks the one that is hers.

★★★★★

“The Cassandra is even prettier in person. I wore it with jeans and a cream tee, and three women asked me where I found it.”

Linda R., Asheville
★★★★★

“This coat is pure happiness. I wore my Zinnia on the first gray morning of the season and it honestly lifted my whole mood.”

Deborah L., Burlington

2

Fleece all the way through, sleeves included

The Seraphina hanging open over a plain white tee, blocks of orange, teal, cream, yellow and gray across the front, with thick blue-gray fleece running down both front facings and up inside the hood.
The Seraphina, open at the front — you can see the fleece run the whole length and up into the hood.

Open one up and this is the part I would want you to look at. The brushed fleece runs collar to hem and then carries on down through both sleeves. Most makers line the body and stop there, because the sleeves are where a lining costs them money and where nobody thinks to check. The reason it matters is simple arithmetic: a coat lined the whole way through is as warm as a heavy one at half the burden on the shoulders, and it is the shoulders that get tired by four o’clock.

★★★★★

“I love that the Aria keeps me warm without feeling like a big, heavy winter coat. The fleece inside the sleeves makes such a difference.”

Barbara T., Lexington
★★★★★

“I bought the Delilah for those gorgeous jewel tones, but the soft fleece is what made me keep reaching for it. Warm without weighing down my shoulders.”

Susan A., Spokane

3

A hood that is lined and roomy, with a drawstring

Three separate decisions, and each one gets skipped somewhere. It is lined in the same fleece, so putting it up is warm rather than merely windproof. It is left roomy, so it goes over hair she has already done instead of flattening it. And there is a drawstring, so on the mornings that bite she pulls it close rather than holding it shut with one hand while the other hand carries everything else.

★★★★★

“The Sienna had me at the little folk-art details. It has that cozy autumn look I love, plus a hood that’s roomy enough to be useful.”

Kathleen B., Boise
★★★★★

“I kept the Paloma by the back door and the Sienna in the car. Between the roomy hoods and those deep pockets, I’m covered wherever I happen to be.”

Donna E., Richmond

4

Two pockets deep enough to leave the purse at home

A woman on a porch wearing a cream bohemian coat scattered with colored triangles, worn open over a plain tee and jeans, the navy fleece lining showing down both front edges and a welt pocket set into the hip.
One hand in the pocket, which is where it tends to end up.

Set into the front at hip height, and deep — a phone, a set of keys and a pair of gloves at the same time. That sounds like a small convenience and it is actually a different kind of morning. A coat with real pockets means the short walk needs nothing else: no bag over the shoulder, no strap to move when she takes the coat off, nothing to leave behind on the back of a chair. I have never understood why so many makers treat a pocket as decoration.

★★★★★

“My granddaughter noticed the cat on my Tabitha before I even had it zipped! It’s fun, cozy, and the pockets are actually deep enough for my phone.”

Nancy P., Madison
★★★★★

“Soft coastal colors, a comfortable fit, and pockets that hold more than a tissue—finally! My Paloma has become my everyday coat.”

Joan H., Portland

5

Long enough to cover, and it never grips at the middle

Three bohemian art coats on a round wooden table, the front one laid open to show the full-length zipper and the navy sherpa lining running from the hood down to the hem.
Open, and the zipper runs the whole way down.

It falls past the hip, which is where a coat stops being a jacket and starts actually covering her. And it hangs straight down the front rather than being drawn in anywhere, so there is nothing gripping at the middle and nothing to arrange. A woman should be able to put a coat on over whatever she is already wearing and not have to think about what that does to her shape. Every one of them zips, top to hem, so she closes it when the wind gets up and leaves it open when it does not — and that is her decision to make each morning rather than mine.

★★★★★

“My Savannah feels like being wrapped in a favorite handmade blanket. It covers past my hips, but the shape still feels easy and flattering.”

Diane C., Grand Rapids
★★★★★

“The colors in the Tallulah remind me of an old woven blanket I’ve always loved. Comfortable, roomy through the middle, and so easy to throw on.”

Carol J., Santa Fe

6

Twelve of them, cut generous, S through 4XL

Three bohemian art coats resting in an open shipping box by a front door — two in geometric patchwork and one carrying a large painted cat portrait — all showing the navy sherpa lining inside the hoods.
Three of the twelve, the morning they turn up.

They are true to size and cut generous on purpose — to fit the woman rather than asking the woman to fit them. One piece of advice I would give across the counter: if you like a thick sweater underneath, take one size up. A winter coat that will not close over a sweater is a spring coat wearing the wrong label. Seven sizes, S through 4XL, and every one of the twelve at the same price — which means the choice in front of you is only ever about which picture you want, and never about what it costs.

★★★★★

“I now own three—Cassandra, Delilah, and Marina. Same comfortable fit, three completely different moods, and not one boring winter coat among them.”

Teresa G., Milwaukee
★★★★★

“I was tired of choosing between black and beige winter coats. The Seraphina brightens everything up, even when I’m only wearing jeans underneath.”

Janet M., Pittsburgh

These, against the coat in your hall closet

The usual winter coat These
Warmth Warm because it is thick Fleece-lined collar to hem and through the sleeves
Weight You can feel it by four o’clock Half the burden on the shoulders
Hood None, or thin and unlined Roomy, fleece-lined, drawstring
Pockets Shallow, so you carry a bag Two deep, at the hip
The front Black, navy, or a darker black Twelve different pictures
Sizing Stops at XL, if you are lucky S through 4XL, one price

I refuse to sell a woman six more winters of a coat chosen for how little it says. That is the whole reason this rail is in the shop.


Why we’re clearing them now

The Hayes family together on a dock at sunset.
The Hayes family.

These are $399.95 to $549.95 on the rail, which is what a coat finished this way goes for — lined the whole way through, a hood lined to match, and a picture on the back that somebody actually drew. I am not going to stand here and tell you that is a small amount of money. But the shop turns twenty this year, and my daughters Julie and Amy are beside me at the counter most days now, which is not something I let myself count on in 2006. We wanted to mark it by handing something back to the women who kept our door open, so the whole rail is going out at up to 80% off.

I will give you the honest reasoning too. A coat is the one thing a woman wears over everything else she owns, so it is the piece people actually see, and it is the piece she keeps for years. If it is the one you reach for every day for the next five winters, then $109.95 was never really the point.

Three Hayes Family bohemian art coats on a wooden table beside a cream The Hayes Family Hamptons shopping bag.
How they arrive.

★★★★★4.8 out of 5 — from 3,369+ reviews

$549.95$109.95

20th Anniversary Sale — Save up to 80%

  • Twelve pictures — patchwork print, tapestry print, folk art, a painted cat
  • Brushed fleece lining, collar to hem and through the sleeves
  • A roomy fleece-lined hood with a drawstring
  • A full-length zipper, top to hem
  • Two deep front pockets at the hip
  • Falls past the hip, and never grips at the middle
  • True to size · S, M, L, XL, 2XL, 3XL, 4XL · every coat, one price
  • Free UPS shipping · 30-day money-back guarantee
FIND YOUR SIZE →

Every coat the same price

The Anniversary Sale is here.Buy 2 and get 10% extra off, buy 3 and get 15% extra off, buy 4 or more and get 20% extra off. Discounts are applied automatically at checkout.
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Since 2006US family-owned

Twenty years behind this counter and I can usually tell which coat a woman will buy before she can. It is never the one she looks at longest.

It is the one she comes back to. She works her way down the rail, settles sensibly on something quiet, and then her eye goes back up the line to the one she saw first. That is the tell, and it has almost nothing to do with the coat and everything to do with her giving herself permission.

Go and see which one you keep coming back to.

— Michelle · The Hayes Family Hamptons

SEE THE BOHEMIAN COATS — $109.95 →

This is a personal letter from Michelle Hayes, co-founder of The Hayes Family Hamptons. Customer reviews are quoted as written. · US family brand since 2006 · Free UPS shipping · 30-day money-back guarantee.